JackCast001 – Oliver Ho aka Raudive
Oliver Ho visited The Particle People recently, and as a special gift he gave us a recording of his live set from the night. A rare treat for most, this is an amazing example of what he has to offer. Not only a special podcast but also a few questions before and after the visit to Minneapolis.
What are/were your impressions of the Midwest dance music scene? specifically Minneapolis.
Prior to coming to Minneapolis I really hadn’t got a good impression of the Midwest, I had done a few raves in the late 90’s early 2000 which were pretty bad, kiddy ravers who really didn’t give a shit what they were listening to. I always found that quite strange, especially the carpet kids, who were just too high to care, no matter how many drugs I am on I always want quality music. Having said that, I don’t want to say that the Midwest didn’t have something to offer, it was just my personal experience.. Minneapolis was a pleasant surprise, a lovely bunch of enthusiastic people who love music/art and partying. I really enjoyed playing there and I think the Particle People have created something special there, further proof of this comes from the fact that Speedy J. decided to take his Umfeld project there for the Spark Festival, certainly a stamp of approval…
Are you currently working on any new projects?
I am working on new Raudive material, its coming out quite deep and funky at the moment, sometimes bleepy, and sometimes very organic, depending what mood I am in. I would like to record a Raudive album next year, I have an idea of 4 - 15 minute tracks, or 1 – 60 minute track that can be divided into 4, something quite conceptual..
I am also working on Zov Zov, an ambient industrial project. I hope to release some of this in 2010..
What is your current DJ and music production set up?
I use a mix of CDs, vinyl and Ableton live, I think they all have something to offer, I try to accept the technological advances while still retaining what has come before, its all about balance..
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A pre party interview by our own Tanya Norman is available here
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Right Click Here for Direct Download.
Interview By Aaron Bliss Art work by J. Matthews
Oliver Ho: Sign of Tomorrow by Tanya Norman
Any international DJ that plays in Minneapolis for the first time and drops “Sign “☮” the Times ” by Prince into a modern techno set quickly becomes a favorite of mine. Local event promoters Particle People, (Jesse Jakob and Aaron Bliss) celebrated their one year anniversary by inviting London deejay and music producer, Oliver Ho, to be their guest. Sure enough, I have a new favorite.
As I walked through Gallery 13, admiring colorful oil paintings and striking collages hung on the wall by local artists, I remembered why I enjoy coming to events like this. Minneapolis has been a favorite spot for many visiting deejays and with the help of several local promoters throughout the years (Hush, Klikmusik, Convergence, Intellephunk) fans have been given a chance to hear a variety of different styles of techno and electronic music. Watching the colored lights on the mixer glowing in this dark venue along with the nicely stacked speaker system producing thousands of watts of sound gave the listener the opportunity not only to hear, but to feel the music. Literally. And the sounds we heard from veteran producer Oliver Ho that evening gave us a glimpse of the future.
“I always wait to see what the vibe is like, and the atmosphere…I like giving something to people they might not have heard before.”
The advancement of music technology has greatly influenced Oliver’s music. Being an active Ableton Live user enables him to play very diverse selections of music and to be more in control. Compared to years past of using DAT, reel to reel machines and outboard gear he currently takes advantage of modern tools to create several styles of music, not just electronic. “The amazing thing about software is that it has made music very democratic. Anyone getting into production and using top technology has to have patience and not go too fast. With computers, I like the ability to re-edit music and work on it slowly over a period of time.”
Tracks from his new tech-minimal project, Raudive (pronounced raw-deev), have gotten the attention of other well known artists / deejays, showing up in sets from Daniel Bell to Ricardo Villalobos. Oliver noted, “What was happening a lot in the late nineties was techno music was becoming very narrow minded, so this was a chance for me as an artist and a producer to experiment with different ideas; I thought it was apt to use a different name for that. It means I can make music inspired by house, experimental, different things..it’s a way for me to be diverse and using a name for that will let people know that there is a change of gear.”
Due in part to the different styles of music Oliver produces, it has worked well for him to collaborate with numerous record labels, such as Blueprint Records, Klang Elektronik and Poker Flat. Certainly, Oliver has experienced the trials and tribulations of running a record label and found that it can be a difficult task. His relationships with various labels have afforded him the opportunity to now concentrate solely on his music. “The biggest challenge of running a label is being on top of it and not allowing people to take advantage of you. There has to be a balance between making money and making music.”
As I peered over Oliver’s shoulders watching his quick hands mix, equalize and add effects to multiple tracks while he kept a close and engaging bond with the dance floor, I reflected on why I choose to come to these events. For me its a chance to hear new sounds, have new experiences, and be surrounded by an open minded community of music lovers. Mission accomplished.
Tags: aaron bliss, Ableton, IPR, Jack The Box Blog, jesse jakob, minneapolis, Oliver Ho, Particle People, Raudive, Tanya Norman
Sweet post! Although the media player is lacking, overall I would rate this 5 stars.