UncensoredUS Presents… Tri-Polar

Posted in music on October 30th, 2009 by Aaron Bliss
Tri-Polar

Tri-Polar

The crew at UncensoredUS have done it again with another Halloween mega rave that has everyone getting ready to trick and treat!

UncensoredUs Main Stage

Vaski – Dubstep, Spazmatic vs Wordb!rd w/ Nik.One – Drum n Bass, Jack Trash – House / Techno, Dr. Evil – Hardcore LIVE, UncensoredUs Krew Kaos Tag-Team Set (2 hrs), Optic Mind – Psytrance


In the Cafe
Shorty C – Drum n Bass,  Lil Aaron – Techno, Arise vs Virgo – Drum n Bass , Casey Frakture – Techno, DJ Rype – Hardstyle, DJ Blaze One – Drum n Bass, Web of Deception & Soulphonik LIVE – Techno, Oblivious Crucifixion (DJ Dark Jesus + Oblivion) – Electro


MixBeat Productions Stage

Steppers Alliance Reunion Featuring: Aaron Bliss, Easy Rider, Matt Veloce, Dj Natosha, Code Blue, MC Hyde – UK garage/2step

9 years ago a group of Minneapolis artists came together to form one of the countries biggest 2step/garage collectives. The crew consisted of EasyRider, Aaron Bliss, DJ NatOsha, Code Blue, and Matt Veloce. The crew was known around the globe as they were featured in Time, Deuce UK, XLR8, CityPages, and Urb magazines, as well as hosting a radio show on Strike FM a former pirate radio station based out of the UK and even starting the Alliance Recordings imprint in 2001. In their day they hosted and throw events on a regular basis at First Avenue , and Café Fusion. The crew hasn’t played together in more than 6 years. This night will be a epic evening as we welcome the 2step/garage legends back to Minneapolis for a class reunion that has been long a waited.

Nate Laurence/J Matthews
Ajent Orange
Kris j/Funke Tendency

Visuals done by VJ Psychromatic
Personal drawings by Sean Lynch(i am awaiting a bio from him should have it by the end of the night)

Other Info
Venue located 30 minutes from the Minneapolis. More info, set times and directions will be released on the day of the event at uncensoredus.com

Ticket prices are as follows:

$12 presale
$15 door with costume
$18 if you made no effort to dress up for the occasion
Presales will be available at vitalculture.com

Doors at 9pm. This event WILL sell out, so get there early or get a presale.
Presales at www.vitalculture.com

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Podcast and an Interview with DJ SoulFeather

Posted in music on October 26th, 2009 by Aaron Bliss

Mike2_00042So SoulFeather, give us a brief history of your DJing career.

I started DJing in my bedroom and at random house parties when I was going to the University of Minnesota in Duluth. Eventually I got a weekly gig at the Red Star in Duluth. When I moved to Minneapolis I was kind of lost at first, but the DJ community in this city is so welcoming that it didn’t take long to get a few random gigs here and there. Now I host Saturday nights at the Caterpillar Lounge and play other various nights around Minneapolis.

Your selection of tracks and your record collection is pretty diverse. Where does this wide array of musical taste stem from?

That’s a good question… I remember playing my Mom’s Aretha Franklin CDs over and over as a kid and I think that really opened my mind up to the power of music. Aretha has so much soul that even at a young age I knew her music was important. In high school I was a huge Phish head and a bit of a hippie, haha. The jam band scene was my first taste of a musical community and I loved it. Then my taste gravitated towards the more electronic groups like the New Deal, STS9, Particle etc. That lead to house music and I’ve been hooked ever since. I’m always excited when I hear something I’ve never heard before, and I gravitate towards those sounds which truly move me.

Tell us about Duluth and your residency at Red Star. How did that come about?

Red Star is really the only bar/club in Duluth that consistently books House & Funk DJs so I hung out there a lot. Eventually I thought my mixing skills and musical selection were up to par so I put a mix together and submitted it to the manager.  Later that night I got a call back and the manager said that DJ Nola (now a good friend & one of my favorite DJs) had seen my tracklist for the mix & liked it so they invited me to play a few records that Friday. I vividly remember when I played my first track a group of people instantly started dancing. From then on I was absolutely hooked on DJing.

Your residency at Caterpillar Lounge on Saturdays, Can you tell us a little about those nights, the vibe, people, etc?

Yeah, I currently host Saturday nights at the Caterpillar Lounge. I love that gig. I have guest DJs throw down with me each week which is a ton of fun and it provides for a bit of a different vibe every Saturday. The Caterpillar Lounge is an interesting spot because it’s very much of a lounge atmosphere, but people love to pack the small dance floor and get down. Every once in a while we’ll get a few break-dancers on the floor and that really ignites the night. On an average Saturday night at the Caterpillar Lounge you’ll hear deep, bumpin’ house mixed with old school funk and disco.

You are currently enrolled at IPR, can you give us some insight on your goals with these studies and what your future goals are?

I am studying engineering, post production and music business at IPR and I love every second of it. My passion is and always has been music so after graduating from UMD with a philosophy degree and not knowing how in the world to apply it I, decided to follow my passion and pursue a career in music. I’m learning a lot about the music business as well as marketing and promotion which I am really interested in, but my focus is on post production. In the future I would like to record/engineer sound (music, sound effects, Foley, dialogue etc) for television and films.

 

Here is a recent mix that SoulFeather has made especially for us. We loved it and know that you will too. Check it out!

Tell us your 3 favorite local DJs that are up and coming. What do they spin and why do you like them?

Honestly I can’t name just 3. Actually I probably couldn’t name just 20 of my favorite local DJs because they’re all so freaking great in their own way. I love the DJs in this city.

What’s your favorite cocktail? And Beer?

My favorite cocktail would probably be a gin & tonic with Plymouth gin. Oh and I also love a good mojito in the summer. As far as beer goes I’m not too picky haha. I like Stella Artois, Grolsch, and on a cheaper note I always enjoy a good old Premium Grain Belt.

Who are some of the labels or house music producers that are really making you excited about house music?

I must say that every Nate Laurence and Scrubfish track I hear I’m blown away. Those guys know what they’re doing and they do it well.

Favorite place in Minneapolis to just get shitfaced and hang out with friends?

I love partying at First Avenue whenever I can.  Hope you guys are ready for tequila shots on November 7th!!!

Oh we will be ready. How can we turn down tequila shots?!

HotDish 11-7-09SoulFeather will be bringing it this Saturday, November 7th in the VIP room alongside myself, Nate Laurence and Bryan Gerrard for “A Local’s Guide to Trainwreckin’”. Be sure to come out and get down! Its only a $5 show, but if you email HotDish (info@hotdishmpls.com), we will get you on the list for reduced admissions! Plus free crossover to TOO MUCH LOVE. How can you fail?

interview by: J Matthews

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Sign up for the mailing list…

Posted in music on October 24th, 2009 by Aaron Bliss

GET “BLACK LISTED” HERE!

sign up for the list and get notified of news, shows, and guest list promos.

* Email
* Sign-Up here for the Email News Letter and be notified of Updates to Jack The Box,Guest list offers, and PodCasts!


JACK THE BOX

JackCast001 – Oliver Ho aka Raudive

Posted in music on October 23rd, 2009 by Aaron Bliss
Oliver Ho

Oliver Ho visited The Particle People recently, and as a special gift he gave us a recording of his live set from the night. A rare treat for most, this is an amazing example  of what he has to offer. Not only a special podcast but also a few questions before and after the visit to Minneapolis.

 

What are/were your impressions of the Midwest dance music scene? specifically Minneapolis.
Prior to coming to Minneapolis I really hadn’t got a good impression of the Midwest, I had done a few raves in the late 90’s early 2000 which were pretty bad, kiddy ravers who really didn’t give a shit what they were listening to. I always found that quite strange, especially the carpet kids, who were just too high to care, no matter how many drugs I am on I always want quality music. Having said that, I don’t want to say that the Midwest didn’t have something to offer, it was just my personal experience.. Minneapolis was a pleasant surprise, a lovely bunch of enthusiastic people who love music/art and partying. I really enjoyed playing there and I think the Particle People have created something special there, further proof of this comes from the fact that Speedy J. decided to take his Umfeld project there for the Spark Festival, certainly a stamp of approval…

Are you currently working on any new projects?
I am working on new Raudive material, its coming out quite deep and funky at the moment, sometimes bleepy, and sometimes very organic, depending what mood I am in. I would like to record a Raudive album next year, I have an idea of 4 -  15 minute tracks, or 1  – 60 minute track that can be divided into 4, something quite conceptual..
I am also working on Zov Zov, an ambient industrial project. I hope to release some of this in 2010..

What is your current DJ and music production set up?
I use a mix of CDs, vinyl and Ableton live, I think they all have something to offer, I try to accept the technological advances while still retaining what has come before, its all about balance..

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A pre party interview by our own Tanya Norman is available here

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Right Click Here for Direct Download.

Interview By Aaron Bliss Art work by J. Matthews

Oliver Ho: Sign of Tomorrow by Tanya Norman

Any international DJ that plays in Minneapolis for the first time and drops “Sign “☮” the Times ” by Prince into a modern techno set quickly becomes a favorite of mine.  Local event promoters Particle People, (Jesse Jakob and Aaron Bliss) celebrated their one year anniversary by inviting London deejay and music producer, Oliver Ho, to be their guest. Sure enough, I have a new favorite.

As I walked through Gallery 13, admiring colorful oil paintings and striking collages hung on the wall by local artists, I remembered why I enjoy coming to events like this.  Minneapolis has been a favorite spot for many visiting deejays and with the help of several local promoters throughout the years (Hush, Klikmusik, Convergence, Intellephunk) fans have been given a chance to hear a variety of different styles of techno and electronic music.  Watching the colored lights on the  mixer glowing in this dark venue along with the nicely stacked speaker system producing thousands of watts of sound gave the listener the opportunity not only to hear, but to feel the music.  Literally.  And the sounds we heard from veteran producer Oliver Ho that evening gave us a glimpse of the future.

“I always wait to see what the vibe is like, and the atmosphere…I like giving something to people they might not have heard before.”

The advancement of music technology has greatly influenced Oliver’s music.  Being an active Ableton Live user enables him to play very diverse selections of music and to be more in control.  Compared to years past of using DAT, reel to reel machines and outboard gear he currently takes advantage of modern tools to create several styles of music, not just electronic.  “The amazing thing about software is that it has made music very democratic.  Anyone getting into production and using top technology has to have patience and not go too fast. With computers, I like the ability to re-edit music and work on it slowly over a period of time.”

Tracks from his new tech-minimal project, Raudive (pronounced raw-deev), have gotten the attention of other well known artists / deejays, showing up in sets from Daniel Bell to Ricardo Villalobos. Oliver noted, “What was happening a lot in the late nineties was techno music was becoming very narrow minded, so this was a chance for me as an artist and a producer to experiment with different ideas; I thought it was apt to use a different name for that.  It means I can make music inspired by house, experimental, different things..it’s a way for me to be diverse and using a name for that will let people know that there is a change of gear.”

Due in part to the different styles of music Oliver produces, it has worked well for him to collaborate with numerous record labels, such as Blueprint Records, Klang Elektronik and Poker Flat.  Certainly, Oliver has experienced the trials and tribulations of running a record label and found that it can be a difficult task.  His relationships with various labels have afforded him the opportunity to now concentrate solely on his music.  “The biggest challenge of running a label is being on top of it and not allowing people to take advantage of you.  There has to be a balance between making money and making music.”

As I peered over Oliver’s shoulders watching his quick hands mix, equalize and add effects to multiple tracks while he kept a close and engaging bond with the dance floor, I reflected on why I choose to come to these events.  For me its a chance to hear new sounds, have new experiences, and be surrounded by an open minded community of music lovers.  Mission accomplished.

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Wednesday October 28th Ableton User’s Group

Posted in gear, music on October 22nd, 2009 by Aaron Bliss
ABLETON LIVE

ABLETON LIVE

Ableton, IPR, and Timefog invite you and your friends to the fall edition of Ableton Live 8 User’s Group – Minneapolis!

Hosted at IPR Minneapolis and Time Fog – Ableton Certified Training Center (ACTC)

Featuring:

*Lectures and Presentations

*Interactive demonstrations

*Performances

*Q&A Sessions with expert users

*GIVEAWAYS from Ableton!

*Bring in your own ideas to share with the community.

Wednesday, October 28th at 6pm in the IPR GreenRoom.

Come participate in this celebration of the creative process!  Questions, ideas, or to join our mailing list:

ableton@ipr.edu

http://www.ipr.edu http://www.ableton.com http://www.timefog.net

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An Interview with a Robot…

Posted in music on October 18th, 2009 by Aaron Bliss
BILL PATRICK

BILL PATRICK

On Saurday October 24th 2009 Bill Patrick gives us a pre-Halloween treat in the VIP room for a special edition of BLACK Saturdays. The Particle People had some time last week to get a few great questions in from Bill. We span the gambit here with stories from secret bromance and spirit horses, to his hatred of Serato (I do not support his hatred of Traktor and a threat was made to edit his comments but I promise his comments were not edited in any way.) *wink* wink*… Be sure to check in next week for a followup to Bills interview with a brand new mix recorded live from the show.

This is your second time in Minneapolis, what excites you most about visiting our city for the second time and what are your impressions of the Mpls scene?
The first time I came to Minneapolis I wasn’t sure what to expect. But I was really blown away by the response and enthusiasm of everyone that showed up. My experience with playing in the states is that the cities you least expect to have a blowout are usually the ones that turn out the best. St Louis is also a good example of that. So I’m expecting this second visit to go even better. Or maybe I should keep my expectations low. What do you suggest?

What are you listening to at the moment (non dance music)
Oh wow. I could go on for days naming bands and artists I am listening to right now. Actually, I hardly listen to any dance music aside from when I am searching for tracks. I just got some new Thom Yorke songs that are obviously amazing. I’ve really been into the band Studio thanks to my friend Sussi. The new Kings of Convenience album has been on repeat as well as Erlend Oye’s other band Whitest Boy Alive. Beirut is also one of my favorite bands at the moment. Blonde Redhead, Bon Iver, Leonard Cohen, Burial, Japan, Hercules and Love Affair, Junior Boys, Brain Eno, Philip Glass to name a few more. Marc Houle recently turned me on to this band Iko one afterhours in Berlin. Super cool 80’s synth pop from Quebec. They put out one album in 1983 under this alias and no one every heard from them again.

Are there any artists you are really fond of at the moment?
Masomenos from Paris are my favorite right now. Their album The Third Eye is easily the best thing I have heard in some time. I passed it along to a bunch of friends and everyone was equally amazed. In fact, the most trainspotted tracks in my set are always theirs. We played together in Romania recently and I was blown away by their DJing as well. They are on fire at the moment and should be booked immediately. Let’s see, who else am I fond of? Well of course all the Wolf + Lamb artists like Deniz Kurtel and No Regular Play. Deniz has lots of goodies coming out on Crosstown Rebels as well. A full length album to be exact. Breaking onto the scene with an album is pretty impressive so be sure to check that out. No Regular Play just did an EP on W+L that I’ve been playing a lot. I would mention Seth Troxler but I don’t think he needs any more press or boosts to his ego. But I love him dearly. He is my spirit horse.

WE ARE ROBOTS

WE ARE ROBOTS

We Are Robots’ and ‘Robots Radio’ seem to be on hiatus at the moment, do you foresee it making a return?
We decided to end things at a good time. I was always a fan of clubs, parties, artists, ending while on top and I can honestly say I think we did that. I made my move to Berlin, Nick moved to London, and it just made sense to wrap it up. I am not sure about any reunion parties at the moment. Perhaps something down the road. RobotRadio however is something I would love to start back up. I am not sure how to go about that though. I get more people asking about that show than anything else. Dennis and I had so much fun doing it and it allowed us to play tons of music we wouldn’t necessarily get to play in a club. If I could start something up in Berlin I would. Something to look out for…

When I was a young raver in NYC I was inspired by a handful of parties that made me want to be a contributing part of the culture….  What was it that influenced you to make the move from fan to DJ/Promoter?
Well, I would have to say the first raves I attended in Brooklyn and Queens and then eventually the parties at Twilo. Those parties completely turned my world inside out. I would show up to Twilo at 11pm on the dot in order to hear the first track played and stay till the last track was dropped. I always had this appreciation for the opening DJ. Guys like Jimmy Van M, Luis Diaz, Sean Cusick, and Danny Howells. So I would say musically speaking, I was mostly inspired by the deep, moody, sexier music they were playing in the beginning of the night. I’ve never been influenced to be a promoter. I wouldn’t call myself a promoter at all. In fact, I hate promoting. It’s the worst job in the world. Sorry. *wink*
There is too much stress to deal with when throwing your own party. Starting with the bullshit you have to go through with the DJ’s and agencies. Add the constant nagging for guestlist that continues well into the night of the party (getting a phone call at 1am asking for guestlist is always fun) and then having to worry about the numbers and whether the bar is making enough money, blah, promoting sucks! haha.

What was your favorite party of the summer?
Probably the Sunwaves Festival in Romania. Seth Troxler, Lee Burridge, and I played one stage. Also Luciano, Richie Hawtin, Marco Carola, and Steve Lawler were on other stages. Oh yeah, and of course, Masomenos! We all partied well into Monday morning and missed our flights back to Berlin. This is common practice in Romania however. It was our fault for even booking our flight to return Monday.  The Black Sea Coast is my favorite place in the world to DJ. The Sunwaves Festivals happen every May and August and I would recommend checking it out if you have a chance. It’s clubbing at it’s finest.

Is it true that Berlin is the new “Greenwich Village” (new Williamsburg )?
Style wise? I guess there are a lot of hipsters in Berlin. Artistic wise? Yeah sure. Lots of galleries opening up. Musically speaking, I would say it compares to Greenwich Village 20 years ago. There are record shops everywhere, flyers and posters for all sorts of shows, mainly rock and punk but of course also house/techno. It has a similar vibe to the Village. I remember walking around Greenwich Village in the early 90’s and feeling like I was a part of something. You could feel that there was a movement happening. The same feeling is going on right now in Berlin. You know people are flocking to the city because there is an opportunity for artists to make something of themselves. There’s a similar creative outlet in Berlin that was in the Village back in the day. So yes, I could see the comparison.

How has the adjustment been going from NYC to Berlin?
Oh it’s been amazing. We have a nice solid group of friends in Berlin. The pace and rhythm is much easier than NY. Plus the cost of living is much much cheaper. So that eliminates a ton of stress. I could do a better job of learning the language though. That would definitely help make things a little bit easier.

What record never leaves your bag or keeps making its way back in time after time?
Notorious B.I.G. “Ready to Die” album, Cevin Fisher “Love You Some More”, and Ricardo Villalobos “808 Bassqueen”

What does your current DJ set up consist of?
2 technic turntables,  2 CDJ 1000’s, 1 Allen and Heath Xone 92 mixer. I really have a profound hatred for Serato and Traktor. I am almost at the point where I refuse to Dj with anyone using it. I can not tell you how many issues I’ve had with it. We were in Zurich last week and I was playing with Ryan Crosson and all of a sudden the stupid shit decided it wanted to play the record in reverse. As I was trying to mix. This type of stuff happens all the time. Not to mention the pain in the ass it is when you are DJing and the guy after you has to set up his Traktor and is all over you trying to plug everything in. I don’t care that you can play your stupid 80’s disco records at the end of your sets because it allows you to carry more music, it’s a pain in the ass and I would love to see it disappear.

You do a fair amount of traveling and get to see quite a few up and coming artists…in your opinion, who are a couple of people to watch out for in the next year?
I think we answered this question already. But I’ll name some more. Well, lets recap. Masomenos, Deniz Kurtel, No Regular Play…oh, the guys in Romania! Praslea, Ali Nasser, Kozo, Prik (yes thats pronounced Prick). These guys are insane Dj’s. Everytime I go there we end up doing some massive afterhours and play for days. Last time I was there Raresh, Praslea, Kozo and I played for around 11 hours at this seedy bar up in the mountains somewhere. It was amazing. These guys would put most of the “big dj’s” to shame.

Your buds with Lee Curtiss…tell us a story about that crazy SOB.
Lee is my JO bud. Did he tell you that? That was suppose to be a secret.

CPR - A Piece of History (Crosson, Patrick, Reeves)

CPR - A Piece of History (Crosson, Patrick, Reeves)

I recently read that you plan to take some time off from your busy DJ schedule to pursue your own productions…can you tell us about your project with Shaun Reeves and Ryan Crosson? Any plans on solo work?
I don’t know about taking time off from Djing. Unless I am playing 8 times a month, I don’t see myself taking a break. I have started a few things with Ryan and Shaun. One that recently came out on Wolf + Lamb. It’s available on their site www.wolflambmusic.com
I don’t know about solo work. I am really bad at finishing stuff. Plus I love having the extra set of ears in the studio. I find myself getting stuck on one sound for too long and it’s good to have someone there who can be like hey, lets move on this sucks, or lets try adding this. This is why I enjoy working with people like Ryan, Shaun, and Seth. We’re all very comfortable with each other. So if something isn’t working we’re not afraid to speak up.

If your a baseball fan….   *Twin/Yankees series is about to begin…We’d like to take the time to apologize in advance for the ass whooping.  : )
I hate the Yankees. I hope the Twins beat them. I don’t see that happening though. I am a Mets fan. Don’t laugh.

For a taste of the past we were given permission to share an extra special mix from Bill. This set was recorded the last time he was her for Eccentric Beats a few years back but hurry, the mix is only available till Friday before the show. A big thanks to Phil Good for the mix. LINK HERE

Thanks go out to Jesse Jakob for help with a few funny-ass questions!  Be sure to visit Bill Patrick’s Myspace for new mixes and be sure to come back here for a recap of bills visit with a recording of the nights shenanigans.

FACEBOOK LINK HERE

interview by Aaron Bliss

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CHEMISTRY 10/16/09

Posted in music on October 16th, 2009 by Aaron Bliss

CHEMISTRY

****CHEMISTRY 10/16****
Nick Gunz, Alex Jarvis, Soulfeather, Ryan Smith
CHEMISTRY
Penthouse @ 414 Soundbar
414 3rd ave N. Minneapolis
8pm-2am
FREE WITH GUEST LIST TIL 12am
Come on down early for our $5 optional open bar from 8-10pm.
To get on the guest list please send an email with your full name and # of guests to:
RSVP@CHEMISTRYMPLS.COM

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The Telephone Man comes to Mpls 10/17/09

Posted in music on October 16th, 2009 by Aaron Bliss
Terrence Parker

Terrence Parker

The man We know as “TelephoneMan” Terrence Parker will be in the TC this Saturday October 16th so be sure to join the boys from Black for a special night of amazing house music!  This Saturday is very special as we celebrate the release of Matt Veloce’s on Parker Music Works.  The new release is a two tracker with “Let’s Get Some Love” and “Come On” available now on Parker Music Works. Be sure to tune into TP’s podcast http://terrenceparker.podomatic.com/ where you can catch the man in action and get a listen to Matt’s new tracks.

Saturday, October 17 from 10pm – 2am

BLACK in the First Avenue VIP Room (Enter through side door on 1st Ave N) Opening set by Matt Veloce.
18+ / $8 cover
The first 20 paid patrons will receive a complimentary CD copy of “Let’s Get Some Love”

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TC Dubstep Presents Beats Antique 10/16/09

Posted in music on October 16th, 2009 by Aaron Bliss
Beats Antique

Beats Antique

http://www.beatsantique.com/

BEATS ANTIQUE forges a curious alliance between middle eastern traditions and potent west coast circus, underground hip hop, breakbeat brass band, downtempo, glitch and dubstep.

opening set from DigitalAlchamey and KystlEyez

BarFly Loft
711 Hennepin Ave
Minneapolis, MN

Stay tuned in to this crew,  They have Mary Anne Hobbs from BBC coming in November!

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Ableton and Novation sitting in a tree…

Posted in music on October 14th, 2009 by Aaron Bliss

Ableton has done it again and this time they prove that they do not believe in exclusivity.

Enter Launchpad by Novation.

NOVATION LAUNCHPAD

NOVATION LAUNCHPAD

Jointly designed by both Novation and Ableton the launchpad is retailing for around 200 dollars US.  Not bad at all if you ask me.  I think it’s great that Ableton is working with more than one company to provide the market with a fair share of options.

Novation is known for making quality and affordability so I have faith that this will “take off”(pun intended).  Now, I am a fan of the new APC40 but this one does a few things that I wish the APC40 would do for example… The launchpad is able to control the drum racks but its missing one little thing and that’s knobs,  sure you can live with out them but would it have killed them to add just a few?  Other interesting things from this little button box is the ability to expand with a built in USB hub and automap.

Learn more here…

Buy it here and support Midwest small business…

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